dotted quarter note造句

例句与造句

1. Suppose we wanted to divide a dotted quarter note into 2 equal parts.
2. Quarter notes are 2nd decade, dotted quarter notes 3rd, and eighth notes 4th.
3. The most common compound signatures :,, and, therefore use a dotted quarter note to indicate their bpm.
4. The song is in a 6 / 8 time signature with an approximate tempo of 52 dotted quarter notes per minute.
5. If it occupies the last 4 beats, it's written as an eighth note tied to a dotted quarter note.
6. It's difficult to find dotted quarter note in a sentence. 用dotted quarter note造句挺难的
7. Chopin's metronome mark, given in the original French and German editions, is MM 69 referring to dotted quarter notes.
8. Heavy metal songs also use longer rhythmic figures such as whole note-or dotted quarter note-length chords in slow-tempo power ballads.
9. If it occupies the first 4 beats of the measure, it's written instead as a dotted quarter note tied to an eighth note.
10. Two simple and common ways to express this pattern in standard western musical notation would be 3 quarter notes over 2 dotted quarter notes within one bar of time, quarter note triplets over 2 quarter notes within one bar of time.
11. But 12 / 16 ( and 18 / 16 and 24 / 16 as well under the assumption that they're popular enough ) is a time signature that when played at a standard tempo has a dotted quarter note beat that can be divided into 2 dotted eighth notes.
12. But if you have a piece in, and you wish to shift the beat from the dotted eighth note to the dotted quarter note ( i . e . in two, instead of in four ), what time signature can you write, since would not preserve the binary division of the dotted quarters?
13. Austrian pianist and composer Gottfried Galston ( 1879 1950 ) suggests a tempo of MM 50 referring to dotted quarter notes, as " the carrying power of the modern piano's cantabile allows for a broader layout of the cantilena . " He also believes that " the tempo of this 閠ude is subjected to the most multifarious fluctuations . " Polish pianist and editor Jan Ekier ( born 1913 ) writes in the " Performance Commentary " to the Polish National Edition that this 閠ude is " always performed slower or much slower than is indicated by [ Chopin's ] tempo . [ & ] the tempo becomes as much as three times slower than the authentic one, thus changing the metronomic unit from dotted quarter notes = 69 to eighth notes = 69 . The causes could be discerned in certain performance " traditions " prevailing during the second half of the nineteenth century, which had little in common with those derived directly from Chopin ."
14. Austrian pianist and composer Gottfried Galston ( 1879 1950 ) suggests a tempo of MM 50 referring to dotted quarter notes, as " the carrying power of the modern piano's cantabile allows for a broader layout of the cantilena . " He also believes that " the tempo of this 閠ude is subjected to the most multifarious fluctuations . " Polish pianist and editor Jan Ekier ( born 1913 ) writes in the " Performance Commentary " to the Polish National Edition that this 閠ude is " always performed slower or much slower than is indicated by [ Chopin's ] tempo . [ & ] the tempo becomes as much as three times slower than the authentic one, thus changing the metronomic unit from dotted quarter notes = 69 to eighth notes = 69 . The causes could be discerned in certain performance " traditions " prevailing during the second half of the nineteenth century, which had little in common with those derived directly from Chopin ."